What's Going On In Kingston
What's Going On In Kingston
For a generation constantly accused of killing traditions, Gen Z hasn’t actually cancelled Valentine’s Day. If anything, we’ve just remixed it. The once rigid, couple-centric holiday has been stretched, twisted and reimagined into something broader, more inclusive, and honestly a lot more reflective of how we live.
Love is in the air as people around the world prepare for Valentine’s Day. Of course, the most romantic day of the year calls for that perfect soundtrack, and R&B is the ideal genre thanks to its timeless, melodious vocals that really tug at the heartstrings and mesmerise the listener.
Looksmaxxing has quietly metastasised from obscure online forums into a full-blown digital subculture, complete with its own influencers, jargon and increasingly dangerous rituals – and young men are paying the price.
As cherry blossoms start to bloom along the Hogsmill, a familiar anxiety settles over Kingston University’s final-year students. With spring bringing dissertation deadlines, final projects, and exams, an uncertain future looms.
More than a decade after the Four Horsemen first dazzled audiences with their blend of illusion and high‑stakes heists, the Now trilogy has finally reached its third act. Now You See Me: Now You Don’t arrives as both a continuation and a celebration of what made the franchise iconic.
If you’ve ever wondered how students are affording £6 coffees and £50 concert tickets and rent prices that make us cry, here’s one possible answer. Sex work among students is more common than many may assume and financial hardship, stigma and secrecy all play a part.
With World Nutella Day finished and done, Kingston University students have proven that the well-known chocolate-hazelnut spread is far more …
Poppy Playtime Chapter 5 was expected to serve as the franchise’s grand finale. Instead, it often feels like another instalment stretching the story beyond its natural conclusion.
I’ve been a RAYE fan for more than ten years, back when she was the name tucked inside songwriting credits, the type of artist you’d play for friends with a quiet insistence that she was going to be huge one day. When she stepped on the stage at the O2 arena this year, not as a support act, not as an unknown backing vocal, but instead as the headlining show for her own tour, I realised that she wasn’t my little secret anymore, and I couldn’t think of anyone else more deserving of her success. The atmosphere before she came on wasn’t the usual pre‑show buzz; it felt more like a collective breath being held.
Resident Evil is back, baby. Capcom’s bold, dual-natured entry has embraced the series’ split identity between both survival horror and explosive action. By dividing its campaign between two distinct protagonists, it creates a dynamic rhythm that constantly shifts tone, mechanics, and pacing.